陳儒修*, 2022, 'A Return to Bazin: Uncle Vanya in Drive My Car, ' Drive My Car: A Symposium on Hamaguchi’s Cross-Media Vehicle, Keio University.(*為通訊作者)
陳儒修*, 2020.02, 'Female solidarity as an implicit social revolt in Lin Tuan-Chiu’s movies, ' Taiyupian 2.0 Symposium, King's College, London University.(*為通訊作者)
陳儒修*, 2020.02, 'Re-examine Vengeance of the Phoenix Sisters and its generic hybridization, ' Taiyupian 2.0 Symposium, SOAS.(*為通訊作者)
陳儒修*, 2016.04, 'What does the Taiwan New Cinema movement mean from 30 years ago till now?, ' Taiwan Cinema: Yesterday and Today, Columbia University.(*為通訊作者)
陳儒修*, 2015.08, 'A rearview mirror looking at uses of VFX and SFX in Seediq Bale, ' The Horizon of Cinematic Content and Integrative Engineering, Korea Society for Engineering Education.(*為通訊作者)
陳儒修*, 2013.07, 'Japaneseness as a signifying practice in recent Taiwan cinema, ' Inter-Asia Cultural Studies Society Conference 2013, Inter-Asia Cultural Studies Society.(*為通訊作者)
陳儒修, 2011.10, 'Walking out of Sadness: the Other Side of Taiwan Cinema, ' Seeking the Path of Asian Cinema: East Asia, Busan International Film Festival, Busan Cinema Forum. Ref.
陳儒修, 2009.01, 'Bazin at Work: The Concept of Realism in Chinese-language Films, ' Andre Bazin et l’origine de la pensee modern du cinema, Colloque international commemorant le cinquantenaire de sa mort, University of Tokyo.(N/A) Ref.
陳儒修, 2008.06, 'Being in the Emptiness: on the Visual Phantasmagoria in Tsai Ming Liang''s Taipei, ' 2008 Cultural Typhoon in Sendai, Cultural Typhoon.(Cultural Studies)
陳儒修, 2005, 'From the New Taiwan Cinema till Now: a Tale of Three Generations. Symposium of Taiwan Newwave Film Festival, ' Symposium of Taiwan Newwave Film Festival, 韓國首爾藝術電影中心.
陳儒修, 2005, 'The Idea of In-Betweeness in Hou Hsiao-Hsien’s Cafe Lumiere and City of Sadness, ' International Conference on Asia''s Hou Hisao-Hisen: Cinema,History and Culture, 新加坡大學.
陳儒修*, 2024.12, 'Re-examining Vengeance of the Phoenix Sisters and Martial Arts Films: Genre Hybridity, Translocality and Cross-Nationality, ' Taiwanese-Language Cinema: Rediscovered and Reconsidered, Edinburgh University Press, pp.156-170.(*為通訊作者) Ref.
陳儒修*, 2023.04, 'A Return to Bazin: Uncle Vanya in Drive My Car, ' Drive My Car: Essays on Hamaguchi’s Cross-Media Vehicle, Keio University Press, pp.85-101.(日語(文))(*為通訊作者) Ref.
Yu-Li Liu*;Yuntsai Chou;Kuo-Feng Tseng;Ru-Shou Robert Chen;Yi-Hsuan Chiang;Ping-Hung Chen, 2016.04, 'Media Ownership and Concentration in Taiwan, ' Media and Concentration series, Oxford University Press, pp.847-874.(*為通訊作者) Ref.
陳儒修, 2007.03, '"This isn''t real!" Spatialized narration and (in)visible special effects in Double Vision, ' Cinema Taiwan: Politics, popularity and state of the arts, Routledge.
